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Making Music Indigenous: Popular Music in the Peruvian Andes (Chicago Studies in Ethnomusicology) - Joshua Tucker February 22, 2019 PDF  BOOKS
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Making Music Indigenous: Popular Music in the Peruvian Andes (Chicago Studies in Ethnomusicology)
Author: Joshua Tucker
Year: February 22, 2019
Format: PDF
File size: PDF 3.0 MB
Language: English



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Making Music Indigenous Popular Music in the Peruvian Andes Chicago Studies in Ethnomusicology In the modern world, technology has evolved at an incredible pace, transforming every aspect of our lives. However, as we embrace these advancements, it is essential to understand the process of technological evolution and its impact on humanity. In "Making Music Indigenous: Popular Music in the Peruvian Andes Joshua Tucker explores the evolution of indigenous music in Peru, highlighting the need to study and comprehend the development of modern knowledge to ensure the survival of humanity and unity in a divided world. The book delves into the history of chimaycha music, a genre that has become wildly popular in contemporary Peru, and how it has been embraced by nightclubs in Lima. Through activism, artisanship, and performance, the musicians featured in the book create a cultural and political presence for Peru's indigenous peoples, making their identity visible in today's society. This musical representation of indigeneity not only shapes contemporary culture but also offers a window into the country's past, revealing how indigenousness is constructed, transformed, and ultimately recreated through music. Tucker's work emphasizes the significance of understanding the shifting meanings of indigeneity and how they are reflected in the evolution of chimaycha music.
Making Music Indigenous Popular Music in the Peruvian Andes Chicago Studies in Ethnomusicology В современном мире технологии развивались невероятными темпами, преобразуя каждый аспект нашей жизни. Однако, поскольку мы принимаем эти достижения, важно понимать процесс технологической эволюции и его влияние на человечество. В «Making Music Indigenous: Popular Music in the Peruvian Andes» Джошуа Такер исследует эволюцию музыки коренных народов в Перу, подчеркивая необходимость изучения и осмысления развития современных знаний для обеспечения выживания человечества и единства в разделенном мире. Книга углубляется в историю музыки чимайча, жанра, который стал дико популярным в современном Перу, и как его приняли ночные клубы Лимы. Посредством активизма, ремесленничества и перформанса музыканты, представленные в книге, создают культурное и политическое присутствие для коренных народов Перу, делая их идентичность видимой в современном обществе. Это музыкальное представление о коренном населении не только формирует современную культуру, но и открывает окно в прошлое страны, показывая, как коренное население конструируется, трансформируется и в конечном итоге воссоздается с помощью музыки. Работа Такера подчёркивает значение понимания изменяющихся значений коренности и того, как они отражаются в эволюции музыки чимайча.
Making Music Indigenous Popular Music in the Peruvian Andes Chicago Studies in Ethnomusicology Dans le monde d'aujourd'hui, la technologie a évolué à un rythme incroyable, transformant chaque aspect de notre vie. Cependant, comme nous acceptons ces réalisations, il est important de comprendre le processus d'évolution technologique et son impact sur l'humanité. Dans Making Music Indigenous : Popular Music in the Peruvian Andes, Joshua Tucker explore l'évolution de la musique autochtone au Pérou, soulignant la nécessité d'étudier et de réfléchir au développement des connaissances modernes pour assurer la survie de l'humanité et l'unité dans un monde divisé. livre est en train d'approfondir l'histoire de la musique Chimaich, un genre qui est devenu sauvagement populaire dans le Pérou moderne, et comment il a été adopté par les boîtes de nuit de Lima. Par l'activisme, l'artisanat et la performance, les musiciens présentés dans le livre créent une présence culturelle et politique pour les peuples autochtones du Pérou, rendant leur identité visible dans la société moderne. Cette vision musicale de la population autochtone non seulement façonne la culture moderne, mais ouvre également une fenêtre sur le passé du pays, montrant comment la population autochtone est conçue, transformée et finalement recréée par la musique. travail de Tucker souligne l'importance de comprendre les valeurs changeantes de la racine et comment elles se reflètent dans l'évolution de la musique Chimaich.
Making Music Indigenous Popular Music in the Peruvian Andes Chicago Studies in Ethnomusicology En el mundo actual, la tecnología ha evolucionado a un ritmo increíble, transformando cada aspecto de nuestras vidas. n embargo, al aceptar estos avances, es importante comprender el proceso de evolución tecnológica y su impacto en la humanidad. En «Making Music Indigenous: Popular Music in the Peruvian Andes», Joshua Tucker explora la evolución de la música indígena en Perú, destacando la necesidad de estudiar y reflexionar sobre el desarrollo del conocimiento moderno para garantizar la supervivencia de la humanidad y la unidad en un mundo dividido. libro profundiza en la historia de la música chimaiche, género que se ha popularizado salvajemente en el Perú actual, y cómo fue adoptado por las discotecas de Lima. A través del activismo, la artesanía y la performance, los músicos representados en el libro crean una presencia cultural y política para los pueblos indígenas del Perú, haciendo visible su identidad en la sociedad actual. Esta concepción musical de la población indígena no sólo moldea la cultura contemporánea, sino que abre una ventana al pasado del país, mostrando cómo se construye, transforma y termina recreándose a través de la música. trabajo de Tucker enfatiza la importancia de entender los significados cambiantes de la raíz y cómo se reflejan en la evolución de la música chimaiche.
Making Music Indigenous Popolare Music in the Peruvian Andes Chicago Studies in Ethnomusicology La tecnologia si è evoluta a un ritmo incredibile nel mondo moderno, trasformando ogni aspetto della nostra vita. Tuttavia, poiché accettiamo questi progressi, è importante comprendere il processo di evoluzione tecnologica e il suo impatto sull'umanità. In «Making Music Indigenous: Popolare Music in the Peruvian Andes», Joshua Tucker esplora l'evoluzione della musica indigena in Perù, sottolineando la necessità di studiare e comprendere lo sviluppo delle conoscenze moderne per garantire la sopravvivenza dell'umanità e l'unità in un mondo diviso. Il libro si approfondisce nella storia della musica chimaich, un genere diventato selvaggiamente popolare nel Perù moderno, e come è stato accolto dai night club di Lima. Attraverso l'attivismo, l'artigianato e la performance, i musicisti presenti nel libro creano una presenza culturale e politica per i popoli indigeni del Perù, rendendo visibile la loro identità nella società moderna. Questa visione musicale delle popolazioni indigene non solo crea una cultura moderna, ma apre una finestra sul passato del paese, mostrando come le popolazioni indigene si costruiscono, si trasformano e finiscono per essere ricreate con la musica. Il lavoro di Tucker sottolinea l'importanza di comprendere i valori mutevoli della radicalità e come essi si riflettono nell'evoluzione della musica chimica.
Making Music Indigenous Popular Music in the Peruan Andes Chicago Studies in Ethnomusicology In der heutigen Welt hat sich die Technologie in einem unglaublichen Tempo entwickelt und jeden Aspekt unseres bens verändert. Da wir diese Fortschritte jedoch akzeptieren, ist es wichtig, den Prozess der technologischen Evolution und ihre Auswirkungen auf die Menschheit zu verstehen. In Making Music Indigenous: Popular Music in the Peruvian Andes untersucht Joshua Tucker die Entwicklung der indigenen Musik in Peru und betont die Notwendigkeit, die Entwicklung des modernen Wissens zu studieren und zu verstehen, um das Überleben der Menschheit und die Einheit in einer geteilten Welt zu gewährleisten. Das Buch taucht tief in die Geschichte der Chimaicha-Musik ein, ein Genre, das im heutigen Peru sehr populär geworden ist und wie die Nachtclubs von Lima es akzeptiert haben. Durch Aktivismus, Kunsthandwerk und Performance schaffen die im Buch vertretenen Musiker eine kulturelle und politische Präsenz für die indigenen Völker Perus und machen ihre Identität in der heutigen Gesellschaft sichtbar. Diese musikalische Darstellung der indigenen Bevölkerung prägt nicht nur die zeitgenössische Kultur, sondern öffnet auch ein Fenster in die Vergangenheit des Landes und zeigt, wie die indigene Bevölkerung mit Hilfe der Musik konstruiert, transformiert und schließlich neu erschaffen wird. Tuckers Arbeit unterstreicht die Bedeutung des Verständnisses der sich verändernden Bedeutungen der Wurzel und wie sie sich in der Entwicklung der Chimaicha-Musik widerspiegeln.
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Peru And Dağları'nda Yerli Popüler Müzik Yapma Etnomüzikoloji Chicago Çalışmaları Teknoloji, günümüz dünyasında inanılmaz bir hızla gelişti ve hayatımızın her yönünü değiştirdi. Ancak, bu ilerlemeleri kucaklarken, teknolojik evrim sürecini ve insanlık üzerindeki etkisini anlamak önemlidir. Joshua Tucker, "Making Music Indigenous: Popular Music in the Peruvian Andes" (Yerli Müzik Yapmak: Peru And Dağları'nda Popüler Müzik) adlı kitabında, Peru'daki yerli müziğin evrimini araştırıyor ve bölünmüş bir dünyada insanlığın ve birliğin hayatta kalmasını sağlamak için modern bilginin gelişimini inceleme ve anlama ihtiyacını vurguluyor. Kitap, modern Peru'da çılgınca popüler olan bir müzik türü olan chimaicha müziğinin tarihine ve Lima'nın gece kulüplerinin onu nasıl benimsediğine değiniyor. Aktivizm, işçilik ve performans sayesinde, kitapta yer alan müzisyenler, Peru'nun yerli halkları için kültürel ve politik bir varlık yaratarak kimliklerini modern toplumda görünür kılıyor. Yerli nüfusun bu müzikal temsili sadece çağdaş kültürü şekillendirmekle kalmaz, aynı zamanda yerli nüfusun müzik yoluyla nasıl inşa edildiğini, dönüştürüldüğünü ve nihayetinde yeniden yaratıldığını gösteren ülkenin geçmişine bir pencere açar. Tucker'ın çalışması, köklerin değişen anlamlarını ve chimaicha müziğinin evrimine nasıl yansıdıklarını anlamanın önemini vurgulamaktadır.
تطور صنع الموسيقى الموسيقية الشعبية للسكان الأصليين في دراسات الأنديز البيروفية في شيكاغو في تكنولوجيا الموسيقى العرقية بوتيرة لا تصدق في عالم اليوم، مما غير كل جانب من جوانب حياتنا. ومع ذلك، بينما نتبنى هذه التطورات، من المهم فهم عملية التطور التكنولوجي وتأثيرها على البشرية. في «جعل الموسيقى أصلية: الموسيقى الشعبية في جبال الأنديز البيروفية»، يستكشف جوشوا تاكر تطور الموسيقى الأصلية في بيرو، مشددًا على الحاجة إلى دراسة وفهم تطور المعرفة الحديثة لضمان بقاء البشرية والوحدة في عالم منقسم. يتعمق الكتاب في تاريخ موسيقى chimaicha، وهو النوع الذي أصبح شائعًا بشكل كبير في بيرو الحديثة، وكيف احتضنته نوادي ليما الليلية. من خلال النشاط والحرفية والأداء، يخلق الموسيقيون الذين ظهروا في الكتاب حضورًا ثقافيًا وسياسيًا للشعوب الأصلية في بيرو، مما يجعل هويتهم مرئية في المجتمع الحديث. هذا التمثيل الموسيقي للسكان الأصليين لا يشكل الثقافة المعاصرة فحسب، بل يفتح أيضًا نافذة على ماضي البلاد، مما يوضح كيفية بناء السكان الأصليين وتحويلهم وإعادة إنشائهم في النهاية من خلال الموسيقى. يؤكد عمل تاكر على أهمية فهم المعاني المتغيرة للجذور وكيف تنعكس في تطور موسيقى الشيمايكا.

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