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Complicity, Censorship and Criticism: Negotiating Space in the Gdr Literary Sphere - Sara Jones January 1, 2011 PDF  BOOKS
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Complicity, Censorship and Criticism: Negotiating Space in the Gdr Literary Sphere
Author: Sara Jones
Year: January 1, 2011
Format: PDF
File size: PDF 1.8 MB
Language: English



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The author delves into the complex dynamics of power, control, and resistance within the literary scene, exploring how writers, critics, and officials navigated the treacherous terrain of censorship, complicity, and criticism. The book begins by setting the stage for the GDR's literary landscape, highlighting the significance of the period between 1961 and 1989, a time when the country was deeply entrenched in the Cold War and struggling to establish its own cultural identity. The author examines the interplay between intellectuals and Party functionaries, revealing the tensions and contradictions that arose from their interactions. Case Study 1: Hermann Kant The first case study focuses on Hermann Kant, a prominent writer and critic who challenged the official narrative of the GDR.
Автор углубляется в сложную динамику власти, контроля и сопротивления на литературной сцене, исследуя, как писатели, критики и чиновники ориентировались на коварную местность цензуры, соучастия и критики. Книга начинается с подготовки почвы для литературного ландшафта ГДР, подчеркивая значение периода между 1961 и 1989 годами, временем, когда страна глубоко закрепилась в холодной войне и изо всех сил пыталась установить свою собственную культурную идентичность. Автор рассматривает взаимодействие между интеллектуалами и партийными функционерами, выявляя напряженность и противоречия, возникшие в результате их взаимодействий. Тематическое исследование 1: Герман Кант Первое тематическое исследование посвящено Герману Канту, видному писателю и критику, оспаривавшему официальное повествование о ГДР.
L'auteur approfondit la dynamique complexe du pouvoir, du contrôle et de la résistance sur la scène littéraire en explorant comment les écrivains, les critiques et les fonctionnaires se sont tournés vers le terrain insidieux de la censure, de la complicité et de la critique. livre commence par préparer le terrain pour le paysage littéraire de la RDA, soulignant l'importance de la période entre 1961 et 1989, une époque où le pays s'est profondément ancré dans la guerre froide et a lutté pour établir sa propre identité culturelle. L'auteur examine les interactions entre les intellectuels et les fonctionnaires du parti, en identifiant les tensions et les contradictions résultant de leurs interactions. Étude de cas 1 : Herman Kant La première étude de cas est consacrée à Herman Kant, un éminent écrivain et critique qui a contesté le récit officiel de la RDA.
autor profundiza en la compleja dinámica de poder, control y resistencia en la escena literaria, investigando cómo escritores, críticos y funcionarios se han orientado hacia el terreno insidioso de la censura, la complicidad y la crítica. libro comienza preparando el terreno para el panorama literario de la RDA, destacando la importancia del periodo comprendido entre 1961 y 1989, época en la que el país se afianzó profundamente en la Guerra Fría y luchó por establecer su propia identidad cultural. autor examina la interacción entre los intelectuales y los funcionarios del partido, identificando las tensiones y contradicciones resultantes de sus interacciones. Estudio de caso 1: Hermann Kant primer estudio de caso se centra en Hermann Kant, un destacado escritor y crítico que desafió la narrativa oficial de la RDA.
L'autore approfondisce le dinamiche complesse del potere, del controllo e della resistenza sulla scena letteraria, esplorando come scrittori, critici e funzionari si siano orientati verso un terreno insidioso di censura, complicità e critica. Il libro inizia con la preparazione del terreno per il panorama letterario della RDA, sottolineando il significato del periodo tra il 1961 e il 1989, un tempo in cui il paese si è profondamente consolidato nella guerra fredda e ha cercato di stabilire la propria identità culturale. L'autore esamina l'interazione tra intellettuali e funzionari del partito, rivelando le tensioni e le contraddizioni derivanti dalle loro interazioni. Studio di caso 1: Hermann Kant Il primo studio è dedicato a German Cantù, uno scrittore di primo piano e critico che ha contestato la narrazione ufficiale della RDA.
Der Autor taucht in die komplexe Dynamik von Macht, Kontrolle und Widerstand in der Literaturszene ein und untersucht, wie Schriftsteller, Kritiker und Beamte auf das heimtückische Terrain von Zensur, Komplizenschaft und Kritik gelenkt wurden. Das Buch beginnt mit der Vorbereitung des Bodens für die DDR-Literaturlandschaft und unterstreicht die Bedeutung der Zeit zwischen 1961 und 1989, einer Zeit, in der das Land tief im Kalten Krieg verankert war und darum kämpfte, seine eigene kulturelle Identität zu etablieren. Der Autor untersucht die Interaktion zwischen Intellektuellen und Parteifunktionären und identifiziert die Spannungen und Widersprüche, die aus ihren Interaktionen resultieren. Fallstudie 1: Hermann Kant Die erste Fallstudie widmet sich Hermann Kant, einem prominenten Schriftsteller und Kritiker, der die offizielle Erzählung der DDR in Frage stellte.
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Yazar, edebi sahnedeki güç, kontrol ve direnişin karmaşık dinamiklerini araştırıyor, yazarların, eleştirmenlerin ve yetkililerin sansür, suç ortaklığı ve eleştirinin sinsi arazisinde nasıl dolaştığını araştırıyor. Kitap, DDR'nin edebi manzarası için zemin hazırlayarak başlıyor ve ülkenin Soğuk Savaş'ta derinden yerleştiği ve kendi kültürel kimliğini kurma mücadelesi verdiği 1961 ve 1989 arasındaki dönemin önemini vurguluyor. Yazar, entelektüeller ve parti görevlileri arasındaki etkileşimi inceler, etkileşimlerinin bir sonucu olarak ortaya çıkan gerilimleri ve çelişkileri ortaya çıkarır. Vaka Çalışması 1: Hermann Kant İlk vaka çalışması, GDR'nin resmi anlatımına meydan okuyan tanınmış bir yazar ve eleştirmen olan Hermann Kant'a odaklanmaktadır.
يتعمق المؤلف في الديناميكيات المعقدة للسلطة والسيطرة والمقاومة على الساحة الأدبية، ويستكشف كيف اجتاز الكتاب والنقاد والمسؤولون التضاريس الخبيثة للرقابة والتواطؤ والنقد. يبدأ الكتاب بتمهيد الأرض للمشهد الأدبي لجمهورية ألمانيا الديمقراطية، مما يسلط الضوء على أهمية الفترة بين عامي 1961 و 1989، وهو الوقت الذي كانت فيه البلاد راسخة بعمق في الحرب الباردة وتكافح من أجل تأسيس هويتها الثقافية الخاصة. يبحث المؤلف التفاعل بين المثقفين وموظفي الحزب، ويكشف التوترات والتناقضات التي نشأت نتيجة لتفاعلاتهم. دراسة الحالة 1: هيرمان كانت تركز دراسة الحالة الأولى على هيرمان كانط، الكاتب والناقد البارز الذي تحدى السرد الرسمي لجمهورية ألمانيا الديمقراطية.

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