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Selling Happiness: Calendar Posters and Visual Culture in Early-Twentieth-Century Shanghai - Ellen Johnston Laing September 1, 2004 PDF  BOOKS
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Selling Happiness: Calendar Posters and Visual Culture in Early-Twentieth-Century Shanghai
Author: Ellen Johnston Laing
Year: September 1, 2004
Format: PDF
File size: PDF 16 MB
Language: English



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Selling Happiness: The Evolution of Modern Commercial Art in Shanghai, 1910-1949 In the early twentieth century, Shanghai emerged as a hub of modernity, where traditional values and new ideas collided, giving rise to a unique form of commercial art that captured the hearts and minds of the city's inhabitants. This vibrant and captivating book delves into the origin and development of modern commercial art in China, focusing on colorful advertisement calendar posters that featured distinctive feminine images. These posters, filled with visually appealing and richly illustrated artworks, played an essential role in shaping modern society and art in China over the past century. The transformation of Chinese advertisement calendars was not just the achievement of advertisers but rather the artists themselves, who brought these images to life with their artistic talents and technical skills. The author, Ellen Laing, has meticulously assembled data from a wide range of written sources to create coherent biographies of eleven major commercial artists who designed calendar posters. Through her research, she reveals how these artists made their livelihoods as independent artists or in association with advertising departments of large companies or as members of commercial art studios. Their artistic achievements extend beyond the realm of advertising art, including Chinese painting and photography. For the first time, Laing examines the fruitful relationships between commercial and fine artists, highlighting the important connections between those in advertising and publishing. Commercial artists designed covers for popular fiction magazines, and authors supplied poetic inscriptions found on calendar posters.
Selling Happiness: The Evolution of Modern Commercial Art in Shanghai, 1910-1949 В начале двадцатого века Шанхай превратился в центр современности, где столкнулись традиционные ценности и новые идеи, породив уникальную форму коммерческого искусства, которая захватила сердца и умы жителей города. Эта яркая и увлекательная книга углубляется в зарождение и развитие современного коммерческого искусства в Китае, фокусируясь на красочных рекламных плакатах-календарях, на которых были изображены характерные женские образы. Эти плакаты, наполненные визуально привлекательными и богато иллюстрированными произведениями искусства, сыграли существенную роль в формировании современного общества и искусства в Китае на протяжении последнего столетия. Трансформация китайских рекламных календарей была не просто достижением рекламодателей, а скорее самих художников, которые воплотили эти образы в жизнь своими художественными талантами и техническими навыками. Автор, Эллен Лэйнг, скрупулезно собрала данные из широкого спектра письменных источников, чтобы создать связные биографии одиннадцати крупных коммерческих художников, которые разрабатывали календарные плакаты. Благодаря своим исследованиям она показывает, как эти художники зарабатывали на жизнь как независимые художники или в сотрудничестве с рекламными отделами крупных компаний или как члены коммерческих художественных студий. Их художественные достижения выходят за рамки рекламного искусства, включая китайскую живопись и фотографию. Впервые Лэйнг рассматривает плодотворные отношения между коммерческими и прекрасными художниками, подчеркивая важные связи между теми, кто занимается рекламой и издательской деятельностью. Коммерческие художники разрабатывали обложки для популярных художественных журналов, а авторы поставляли стихотворные надписи, найденные на плакатах календаря.
Selling Happ....: L'évolution de l'art commercial moderne à Shanghai, 1910-1949 Au début du XXe siècle, Shanghai est devenue le centre de la modernité, où les valeurs traditionnelles et les nouvelles idées se sont heurtées, donnant naissance à une forme unique d'art commercial qui a envahi les cœurs et les esprits des habitants de la ville. Ce livre brillant et fascinant explore l'émergence et le développement de l'art commercial moderne en Chine, en se concentrant sur les affiches publicitaires colorées sur lesquelles les images féminines caractéristiques ont été représentées. Ces affiches, pleines d'œuvres d'art visuellement attrayantes et richement illustrées, ont joué un rôle essentiel dans la formation de la société moderne et de l'art en Chine au cours du siècle dernier. La transformation des calendriers publicitaires chinois n'était pas seulement une réalisation des annonceurs, mais plutôt des artistes eux-mêmes qui ont donné vie à ces images avec leurs talents artistiques et leurs compétences techniques. L'auteur, Ellen Laing, a scrupuleusement recueilli des données à partir d'un large éventail de sources écrites pour créer des biographies cohérentes de onze grands artistes commerciaux qui ont conçu des affiches de calendrier. Grâce à ses recherches, elle montre comment ces artistes gagnaient leur vie en tant qu'artistes indépendants ou en collaboration avec des départements publicitaires de grandes entreprises ou en tant que membres de studios d'art commerciaux. urs réalisations artistiques vont au-delà de l'art publicitaire, y compris la peinture et la photographie chinoises. Pour la première fois, Laing examine les relations fructueuses entre les artistes commerciaux et les beaux artistes, en soulignant les liens importants entre ceux qui font de la publicité et de l'édition. s artistes commerciaux ont mis au point des couvertures pour des magazines d'art populaires et les auteurs ont fourni des poèmes trouvés sur les affiches du calendrier.
Selling Happiness: The Evolution of Modern Commercial Art in Shanghai, 1910-1949 A principios del siglo XX Shanghai se convirtió en el centro de la modernidad, donde los valores tradicionales y las nuevas ideas se enfrentaron, dando lugar a una forma única de arte comercial que capturó los corazones y las mentes de los habitantes de la ciudad. Este vibrante y fascinante libro profundiza en el nacimiento y desarrollo del arte comercial contemporáneo en China, centrándose en coloridos carteles publicitarios-calendarios que mostraban imágenes femeninas características. Estos carteles, llenos de obras de arte visualmente atractivas y ricamente ilustradas, han desempeñado un papel esencial en la formación de la sociedad moderna y el arte en China a lo largo del último siglo. La transformación de los calendarios publicitarios chinos no fue solo un logro de los anunciantes, sino de los propios artistas, que dieron vida a estas imágenes con sus talentos artísticos y habilidades técnicas. La autora, Ellen Laing, recopiló escrupulosamente datos de una amplia gama de fuentes escritas para crear biografías coherente de once grandes artistas comerciales que elaboraron carteles de calendario. A través de sus investigaciones, muestra cómo estos artistas se ganaban la vida como artistas independientes o en colaboración con los departamentos de publicidad de grandes empresas o como miembros de estudios de arte comercial. Sus logros artísticos van más allá del arte publicitario, incluyendo la pintura china y la fotografía. Por primera vez, Laing examina la fructífera relación entre los artistas comerciales y los excelentes, destacando los vínculos importantes entre los que se dedican a la publicidad y la publicación. artistas comerciales diseñaron portadas para revistas de arte populares, y los autores suministraron inscripciones en verso que se encuentran en los carteles del calendario.
Selling Happover: The Evolution of Modern Commerce Art in Shanghai, 1910-1949 All'inizio del ventesimo secolo Shanghai si è trasformata in un centro moderno dove i valori tradizionali e le nuove idee si sono scontrate, dando vita ad una forma unica di arte commerciale che ha conquistato i cuori e le menti degli abitanti della città. Questo libro luminoso e affascinante approfondisce la nascita e lo sviluppo dell'arte commerciale contemporanea in Cina, focalizzandosi sui coloratissimi manifesti-calendario pubblicitari che mostrano immagini femminili caratteristiche. Questi manifesti, pieni di opere d'arte visivamente affascinanti e ricche di illustrazioni, hanno svolto un ruolo fondamentale nella formazione della società e dell'arte contemporanea in Cina nell'ultimo secolo. La trasformazione dei calendari pubblicitari cinesi non è stata solo una conquista degli inserzionisti, ma piuttosto degli artisti stessi che hanno realizzato queste immagini con il loro talento artistico e le loro competenze tecniche. L'autrice, Ellen Laing, ha scrupolosamente raccolto dati da una vasta gamma di fonti scritte per creare biografie correlate di undici grandi artisti commerciali che hanno sviluppato i manifesti del calendario. Grazie alla sua ricerca, mostra come questi artisti abbiano guadagnato da vivere come artisti indipendenti o in collaborazione con i dipartimenti pubblicitari di grandi aziende o come membri di studi d'arte commerciali. I loro successi artistici vanno oltre l'arte pubblicitaria, tra cui la pittura cinese e la fotografia. Per la prima volta, Laing affronta le relazioni fruttuose tra artisti commerciali e eccellenti, sottolineando i legami importanti tra gli operatori pubblicitari e editoriali. Gli artisti commerciali hanno sviluppato copertine per riviste d'arte popolari, mentre gli autori hanno fornito scritte di poesia trovate sui manifesti del calendario.
Selling Happiness: The Evolution of Modern Commercial Art in Shanghai, 1910-1949 Zu Beginn des 20. Jahrhunderts entwickelte sich Shanghai zu einem Zentrum der Moderne, in dem traditionelle Werte und neue Ideen kollidierten und eine einzigartige Form der kommerziellen Kunst hervorbrachten, die die Herzen und Köpfe der Stadtbewohner eroberte. Dieses lebendige und faszinierende Buch taucht tief in die Entstehung und Entwicklung der zeitgenössischen kommerziellen Kunst in China ein und konzentriert sich auf farbenfrohe Werbeplakate-Kalender, die charakteristische weibliche Bilder zeigen. Diese Plakate, die mit visuell ansprechenden und reich illustrierten Kunstwerken gefüllt sind, haben die moderne Gesellschaft und Kunst in China im letzten Jahrhundert maßgeblich geprägt. Die Transformation der chinesischen Werbekalender war nicht nur eine istung der Werbetreibenden, sondern vielmehr der Künstler selbst, die diese Bilder mit ihren künstlerischen Talenten und technischen Fähigkeiten zum ben erweckten. Die Autorin Ellen Laing hat akribisch Daten aus einer Vielzahl von schriftlichen Quellen gesammelt, um zusammenhängende Biografien von elf großen kommerziellen Künstlern zu erstellen, die Kalenderplakate entworfen haben. Durch ihre Forschung zeigt sie, wie diese Künstler ihren bensunterhalt als unabhängige Künstler oder in Zusammenarbeit mit Werbeabteilungen großer Unternehmen oder als Mitglieder kommerzieller Kunststudios verdienten. Ihre künstlerischen istungen gehen über die Werbekunst hinaus, einschließlich der chinesischen Malerei und Fotografie. Zum ersten Mal untersucht Laing die fruchtbare Beziehung zwischen kommerziellen und exzellenten Künstlern und betont die wichtigen Verbindungen zwischen denen, die Werbung und Verlagswesen betreiben. Kommerzielle Künstler entwarfen Cover für populäre Kunstmagazine, und Autoren lieferten poetische Inschriften, die auf Kalenderplakaten zu finden waren.
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Mutluluğu Satmak: Şanghay'da Modern Ticari Sanatın Evrimi, 1910-1949 Yirminci yüzyılın başlarında, Şanghay, geleneksel değerlerin ve yeni fikirlerin çarpıştığı, kentin sakinlerinin kalplerini ve zihinlerini yakalayan benzersiz bir ticari sanat biçiminin ortaya çıktığı bir modernite merkezi olarak ortaya çıktı. Bu canlı ve büyüleyici kitap, Çin'deki modern ticari sanatın doğuşunu ve gelişimini inceleyerek, karakteristik kadın görüntülerini tasvir eden renkli reklam posterleri-takvimlerine odaklanıyor. Görsel olarak çekici ve zengin resimli sanat eserleri ile dolu olan bu posterler, son yüzyılda Çin'deki çağdaş toplumu ve sanatı şekillendirmede önemli bir rol oynamıştır. Çin reklam takvimlerinin dönüşümü sadece reklamverenler için değil, bu görüntüleri sanatsal yetenekleri ve teknik becerileri ile hayata geçiren sanatçıların kendileri için bir başarıydı. Yazar Ellen Laing, takvim posterlerini tasarlayan on bir büyük ticari sanatçının tutarlı biyografilerini oluşturmak için çok çeşitli yazılı kaynaklardan titizlikle veri topladı. Araştırmaları sayesinde, bu sanatçıların bağımsız sanatçılar olarak ya da büyük şirketlerin reklam departmanlarıyla işbirliği içinde ya da ticari sanat stüdyolarının üyeleri olarak nasıl yaşadıklarını gösteriyor. Sanatsal başarıları, Çin resim ve fotoğrafçılığı da dahil olmak üzere reklam sanatının ötesine uzanıyor. Laing, ilk kez ticari ve güzel sanatçılar arasındaki verimli ilişkiye bakıyor ve reklam ve yayıncılık arasındaki önemli bağlantıları vurguluyor. Ticari sanatçılar popüler sanat dergileri için kapaklar tasarladı ve yazarlar takvim posterlerinde bulunan ayet yazıtlarını sağladı.
بيع السعادة: تطور الفن التجاري الحديث في شنغهاي، 1910-1949 في أوائل القرن العشرين، برزت شنغهاي كمركز للحداثة حيث اصطدمت القيم التقليدية والأفكار الجديدة، مما أدى إلى ظهور شكل فريد من الفن التجاري الذي استحوذ على قلوب وعقول سكان المدينة. يتعمق هذا الكتاب الحي والرائع في ولادة وتطور الفن التجاري الحديث في الصين، مع التركيز على ملصقات إعلانية ملونة وتقويمات، والتي تصور صورًا نسائية مميزة. مليئة بالأعمال الفنية الجذابة بصريًا والمصورة بشكل غني، لعبت هذه الملصقات دورًا كبيرًا في تشكيل المجتمع والفن المعاصرين في الصين على مدار القرن الماضي. لم يكن تحول التقويمات الإعلانية الصينية مجرد إنجاز للمعلنين، ولكن للفنانين أنفسهم، الذين أعادوا الحياة إلى هذه الصور بمواهبهم الفنية ومهاراتهم الفنية. جمعت المؤلفة، إلين لينغ، البيانات بدقة من مجموعة واسعة من المصادر المكتوبة لإنشاء سير ذاتية متماسكة لأحد عشر فنانًا تجاريًا رئيسيًا قاموا بتصميم ملصقات التقويم. من خلال بحثها، توضح كيف كسب هؤلاء الفنانون رزقهم كفنانين مستقلين أو بالتعاون مع أقسام الإعلان في الشركات الكبيرة أو كأعضاء في استوديوهات الفن التجاري. تمتد إنجازاتهم الفنية إلى ما هو أبعد من فن الإعلان، بما في ذلك الرسم والتصوير الصيني. لأول مرة، يلقي لينغ نظرة على العلاقة المثمرة بين الفنانين التجاريين والتشكيليين، ويسلط الضوء على الروابط المهمة بين أولئك في الإعلان والنشر. صمم الفنانون التجاريون أغلفة للمجلات الفنية الشعبية، وقدم المؤلفون نقوشًا شعرية موجودة في ملصقات التقويم.

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