BOOKS - Hysterical!: Women in American Comedy
Hysterical!: Women in American Comedy - Linda Mizejewski December 6, 2017 PDF  BOOKS
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Hysterical!: Women in American Comedy
Author: Linda Mizejewski
Year: December 6, 2017
Format: PDF
File size: PDF 17 MB
Language: English



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Hysterical Women in American Comedy: A Study of Subversive Performances Introduction In recent years, women comics have been dominating the stages and screens of American entertainment, shattering the tired stereotype that women aren't funny. From Amy Schumer to Samantha Bee, Melissa McCarthy to Leslie Jones, these hilarious performers are killing it nightly, showcasing their unruly talents to the world. But today's funny women aren't a new phenomenon; they have generations of hysterically funny foremothers who paved the way for them. This anthology of original essays delves into the history of women's comedy, exploring the evolution of women's performances from the silent cinema to contemporary multimedia platforms. Chapter 1: The Pioneers of Women's Comedy The book begins with an examination of the pioneers of women's comedy, including Fay Tincher, Mae West, Lucille Ball, Carol Burnett, and Whoopi Goldberg. These women dared to challenge societal norms and expectations, using their bodies and wit to create a new kind of humor that upended the status quo. Their performances were not just about making people laugh but also about subverting gender roles and challenging the dominant culture.
Истеричные женщины в американской комедии: исследование подрывных выступлений Введение В последние годы женские комиксы доминируют на сценах и экранах американских развлечений, разрушая усталый стереотип о том, что женщины не смешны. От Эми Шумер до Саманты Би, Мелиссы Маккарти до Лесли Джонс - эти уморительные исполнители убивают ее по ночам, демонстрируя миру свои неуправляемые таланты. Но сегодняшние смешные женщины не новое явление; у них есть поколения истерически смешных праматерей, проложивших им дорогу. Эта антология оригинальных эссе углубляется в историю женской комедии, исследуя эволюцию женских спектаклей от немого кино до современных мультимедийных платформ. Глава 1: Пионеры женской комедии Книга начинается с рассмотрения пионеров женской комедии, в том числе Фэй Тинчер, Мэй Уэст, Люсиль Болл, Кэрол Бернетт и Вупи Голдберг. Эти женщины осмелились бросить вызов общественным нормам и ожиданиям, используя свое тело и остроумие, чтобы создать новый вид юмора, который перевернул статус-кво. Их выступления были не только о том, чтобы рассмешить людей, но и о том, чтобы подорвать гендерные роли и бросить вызов доминирующей культуре.
s femmes hystériques dans la comédie américaine : une étude des performances subversives Introduction Ces dernières années, les comédies féminines ont dominé les scènes et les écrans de divertissement américains, détruisant le stéréotype fatigué selon lequel les femmes ne sont pas ridicules. D'Amy Schumer à Samantha B, de Melissa McCarthy à slie Jones, ces artistes hilarants la tuent la nuit, montrant au monde leurs talents incontrôlables. Mais les femmes drôles d'aujourd'hui ne sont pas un phénomène nouveau ; ils ont des générations de pramateries hystériques qui leur ont ouvert la voie. Cette anthologie d'essais originaux approfondit l'histoire de la comédie féminine en explorant l'évolution des spectacles féminins du cinéma muet aux plateformes multimédia modernes. Chapitre 1 : Pionniers de la comédie féminine livre commence par examiner les pionniers de la comédie féminine, dont Fay Tincher, May West, Lucille Ball, Carol Burnett et Whoopi Goldberg. Ces femmes ont osé défier les normes et les attentes sociales en utilisant leur corps et leur esprit pour créer une nouvelle forme d'humour qui a renversé le statu quo. urs discours ne visaient pas seulement à faire rire les gens, mais aussi à saper les rôles de genre et à défier la culture dominante.
mujeres histéricas en la comedia estadounidense: un estudio de discursos subversivos Introducción En los últimos , las historietas femeninas han dominado los escenarios y pantallas del entretenimiento estadounidense, destruyendo el cansado estereotipo de que las mujeres no son graciosas. De Amy Schumer a Samantha B, Melissa McCarthy a slie Jones... estos artistas hilarantes la matan por la noche demostrando al mundo sus talentos inmanejables. Pero las mujeres graciosas de hoy no son un fenómeno nuevo; tienen generaciones de bisabuelas histéricamente divertidas que les han allanado el camino. Esta antología de ensayos originales profundiza en la historia de la comedia femenina, explorando la evolución de las actuaciones femeninas desde el cine mudo hasta las plataformas multimedia contemporáneas. Capítulo 1: Pioneras de la comedia femenina libro comienza con la consideración de pioneras de la comedia femenina, entre ellas Faye Tincher, May West, Lucille Ball, Carol Burnett y Whoopi Goldberg. Estas mujeres se atrevieron a desafiar las normas y expectativas públicas, utilizando su cuerpo e ingenio para crear un nuevo tipo de humor que dio la vuelta al status quo. Sus discursos no eran sólo para hacer reír a la gente, sino también para socavar los roles de género y desafiar la cultura dominante.
Mulheres histéricas na comédia americana: pesquisa subversiva Introdução Nos últimos anos, a banda desenhada feminina tem dominado as cenas e telas de entretenimento dos EUA, destruindo o estéreo cansado de que as mulheres não são engraçadas. De Amy Schumer a Samantha B, Melissa McCarthy a slie Jones, estes artistas espertos matam-na à noite, mostrando ao mundo os seus talentos descontrolados. Mas as mulheres engraçadas de hoje não são um fenômeno novo; Eles têm gerações de pradarias histericamente engraçadas que lhes abriram caminho. Esta antologia de ensaios originais está se aprofundando na história da comédia feminina, explorando a evolução dos espetáculos femininos, desde filmes mudos até plataformas modernas de mídia. Capítulo 1: Pioneiros da Comédia Feminina O livro começa com a revisão dos pioneiros da comédia feminina, incluindo Fay Tincher, May West, Lucille Ball, Carol Burnett e Whoopi Goldberg. Estas mulheres ousaram desafiar as normas e expectativas públicas usando o seu corpo e a sua esperteza para criar um novo tipo de humor que transformou o status quo. Os seus discursos não eram apenas sobre fazer rir as pessoas, mas também sobre minar os papéis de gênero e desafiar a cultura dominante.
Donne isteriche nella commedia americana: esplorazione dei disordini Introduzione Negli ultimi anni i fumetti femminili dominano le scene e gli schermi dell'intrattenimento americano, distruggendo lo stereotipo stanco secondo cui le donne non sono divertenti. Da Amy Schumer a Samantha B, Melissa McCarthy a slie Jones, questi abili artisti la uccidono di notte, mostrando al mondo i loro talenti fuori controllo. Ma le donne divertenti di oggi non sono un fenomeno nuovo; Hanno generazioni di pramateri istericamente divertenti che hanno aperto la loro strada. Questa antologia di saggi originali si approfondisce nella storia della commedia femminile, esplorando l'evoluzione degli spettacoli femminili dal cinema muto alle piattaforme multimediali moderne. Capitolo 1: Pionieri della commedia femminile Il libro inizia con l'esame dei pionieri della commedia femminile, tra cui Fay Tincher, May West, Lucille Ball, Carol Burnett e Whoopi Goldberg. Queste donne hanno osato sfidare le normative e le aspettative comunitarie usando il loro corpo e la loro intelligenza per creare un nuovo tipo di umorismo che ha invertito lo status quo. I loro discorsi non erano solo per far ridere le persone, ma anche per minare i ruoli di genere e sfidare la cultura dominante.
Hysterische Frauen in der amerikanischen Komödie: Eine Studie über subversive Darbietungen Einleitung In den letzten Jahren dominieren weibliche Comics die Bühnen und Bildschirme der amerikanischen Unterhaltung und zerstören das müde Stereotyp, dass Frauen nicht lustig sind. Von Amy Schumer über Samantha B, Melissa McCarthy bis slie Jones - diese urkomischen Darsteller bringen sie nachts um und zeigen der Welt ihre unkontrollierbaren Talente. Aber die heutigen lustigen Frauen sind kein neues Phänomen; sie haben Generationen hysterisch lustiger Vormütter, die ihnen den Weg geebnet haben. Diese Anthologie von Originalessays taucht tief in die Geschichte der weiblichen Komödie ein und untersucht die Entwicklung weiblicher Performances vom Stummfilm zu modernen Multimedia-Plattformen. Kapitel 1: Pioniere der Frauenkomödie Das Buch beginnt mit einer Betrachtung der Pioniere der Frauenkomödie, darunter Faye Tincher, Mae West, Lucille Ball, Carol Burnett und Whoopi Goldberg. Diese Frauen wagten es, gesellschaftliche Normen und Erwartungen in Frage zu stellen, indem sie ihren Körper und ihren Witz nutzten, um eine neue Art von Humor zu kreieren, der den Status quo auf den Kopf stellte. In ihren Reden ging es nicht nur darum, Menschen zum Lachen zu bringen, sondern auch darum, Geschlechterrollen zu untergraben und eine dominante Kultur herauszufordern.
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Amerikan Komedisinde Histerik Kadınlar: Yıkıcı Performansta Bir Çalışma Giriş Son yıllarda, kadın çizgi romanları, Amerikan eğlencesinin sahnelerine ve ekranlarına hakim olmuş ve kadınların komik olmadığına dair yorgun klişeyi paramparça etmiştir. Amy Schumer'dan Samantha Bee'ye, Melissa McCarthy'den slie Jones'a, bu komik sanatçılar, asi yeteneklerini dünyaya sergilerken geceleri onu öldürüyorlar. Ama bugünün komik kadınları yeni bir fenomen değil; Onlara yol açan histerik komik annelerinin nesillerine sahipler. Orijinal denemelerin bu antolojisi, sessiz filmlerden çağdaş multimedya platformlarına kadın performanslarının evrimini araştırarak kadın komedi tarihine giriyor. Bölüm 1: Kadın Komedisinin Öncüleri Kitap, Faye Tincher, Mae West, Lucille Ball, Carol Burnett ve Whoopi Goldberg gibi kadın komedisinin öncülerini ele alarak başlıyor. Bu kadınlar toplumsal normlara ve beklentilere meydan okumaya, bedenlerini ve zekalarını kullanarak statükoyu altüst eden yeni bir mizah türü yaratmaya cesaret ettiler. Performansları sadece insanları güldürmekle ilgili değil, aynı zamanda cinsiyet rollerini baltalamak ve baskın kültüre meydan okumaktı.
المرأة الهستيرية في الكوميديا الأمريكية: دراسة في مقدمة الأداء التخريبي في السنوات الأخيرة، سيطرت الكوميديا النسائية على مراحل وشاشات الترفيه الأمريكي، مما حطم الصورة النمطية المتعبة بأن المرأة ليست مضحكة. من إيمي شومر إلى سامانثا بي، وميليسا مكارثي إلى ليزلي جونز، يقتلها هؤلاء الفنانون المضحكون في الليل وهم يعرضون مواهبهم الجامحة للعالم. ولكن المرأة المضحكة اليوم ليست ظاهرة جديدة ؛ لديهم أجيال من الأمهات المضحكات بشكل هستيري الذين مهدوا الطريق لهم. تتأخر هذه المختارات من المقالات الأصلية في تاريخ الكوميديا النسائية، وتستكشف تطور أداء المرأة من الأفلام الصامتة إلى منصات الوسائط المتعددة المعاصرة. الفصل 1: رواد الكوميديا النسائية يبدأ الكتاب بالتفكير في رواد الكوميديا النسائية، بما في ذلك فاي تينشر وماي ويست ولوسيل بول وكارول بورنيت ووبي غولدبرغ. تجرأت هؤلاء النساء على تحدي الأعراف والتوقعات المجتمعية، باستخدام أجسادهن وذكاء لخلق نوع جديد من الفكاهة التي قلبت الوضع الراهن. لم يكن أدائهم يتعلق فقط بجعل الناس يضحكون، ولكن أيضًا حول تقويض أدوار الجنسين وتحدي الثقافة المهيمنة.

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