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The Reluctant Patron: The United States Government and the Arts, 1943-1965 (Anniversary Collection) - Gary O. Larson January 1, 1983 PDF  BOOKS
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The Reluctant Patron: The United States Government and the Arts, 1943-1965 (Anniversary Collection)
Author: Gary O. Larson
Year: January 1, 1983
Format: PDF
File size: PDF 7.9 MB
Language: English



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The Reluctant Patron The United States Government and the Arts 19431965 Anniversary Collection. The Reluctant Patron: The United States Government and the Arts, 1943-1965 by Gary O. Larson is a comprehensive history of the relationship between the U. S. government and the arts during one of the most transformative periods in American society. This book provides a nuanced understanding of how the federal government's support of the arts evolved over time, from its reluctance to embrace modern art to its eventual recognition of the importance of the arts in shaping national culture and identity. The book begins with the establishment of the Federal Art Projects (FAP) in 1935, which aimed to provide employment for artists during the Great Depression. However, the FAP faced opposition from conservative politicians who saw it as a threat to traditional American values. Despite this resistance, the program continued to grow and flourish, with artists like Jackson Pollock and Mark Rothko receiving funding for their work. During World War II, the government turned to the arts as a means of promoting patriotism and unity among Americans.
Покровитель поневоле The United States Government and the Arts 19431965 Anniversary Collection. «Покровитель поневоле: Правительство США и искусство» (1943 - 1965) Гэри Ларсона (Gary O. Larson) - всесторонняя история отношений между правительством США и искусством в один из самых преобразующих периодов в американском обществе. Эта книга дает тонкое понимание того, как со временем развивалась поддержка искусства федеральным правительством, от его нежелания принимать современное искусство до его возможного признания важности искусства в формировании национальной культуры и идентичности. Книга начинается с учреждения Федеральных художественных проектов (FAP) в 1935 году, целью которых было обеспечение занятости художников во время Великой депрессии. Однако FAP столкнулась с противодействием консервативных политиков, которые видели в ней угрозу традиционным американским ценностям. Несмотря на это сопротивление, программа продолжала расти и процветать, такие артисты, как Джексон Поллок и Марк Ротко, получали финансирование за свои работы. Во время Второй мировой войны правительство обратилось к искусству как к средству пропаганды патриотизма и единства среди американцев.
The United States Government and the Arts 19431965 Anniversaire Collection. Gary O. Larson (1943-1965) est une histoire complète des relations entre le gouvernement américain et l'art dans l'une des périodes les plus transformatrices de la société américaine. Ce livre fournit une compréhension subtile de la façon dont le soutien du gouvernement fédéral à l'art a évolué au fil du temps, depuis sa réticence à accepter l'art contemporain jusqu'à sa reconnaissance possible de l'importance de l'art dans la formation de la culture et de l'identité nationales. livre commence par la création du Federal Art Projects (FAP) en 1935, dont l'objectif était d'assurer l'emploi des artistes pendant la Grande Dépression. Cependant, le FAP s'est heurté à l'opposition des politiciens conservateurs qui y voyaient une menace pour les valeurs américaines traditionnelles. Malgré cette résistance, le programme a continué à croître et à prospérer, et des artistes comme Jackson Pollock et Mark Rothko ont reçu un financement pour leur travail. Pendant la Seconde Guerre mondiale, le gouvernement s'est tourné vers l'art comme moyen de promouvoir le patriotisme et l'unité parmi les Américains.
Patrón en cautiverio The United States Government and the Arts 19431965 Anniversary Collection. «patrón de la cautividad: el gobierno de Estados Unidos y el arte» (1943-1965) de Gary O. Larson es una historia integral de las relaciones entre el gobierno de Estados Unidos y el arte en uno de los períodos más transformadores de la sociedad estadounidense. Este libro proporciona una sutil comprensión de cómo el apoyo al arte por parte del gobierno federal ha evolucionado con el tiempo, desde su renuencia a aceptar el arte contemporáneo hasta su posible reconocimiento de la importancia del arte en la formación de la cultura e identidad nacional. libro comienza con el establecimiento de los Proyectos de Arte Federal (FAP) en 1935, cuyo objetivo era proporcionar empleo a los artistas durante la Gran Depresión. n embargo, el FAP se enfrentó a la oposición de políticos conservadores que lo veían como una amenaza a los valores tradicionales estadounidenses. A pesar de esta resistencia, el programa siguió creciendo y prosperando, artistas como Jackson Pollock y Mark Rothko recibieron financiación por sus trabajos. Durante la Segunda Guerra Mundial, el gobierno recurrió al arte como medio para promover el patriotismo y la unidad entre los estadounidenses.
Schutzpatron der unfreiwilligen Regierung der Vereinigten Staaten und der Künste 19431965 Anniversary Collection. Der unfreiwillige Patron: Die US-Regierung und die Kunst (1943-1965) von Gary O. Larson ist eine umfassende Geschichte der Beziehung zwischen der US-Regierung und der Kunst in einer der transformativsten Perioden der amerikanischen Gesellschaft. Dieses Buch gibt einen subtilen Einblick, wie sich die Unterstützung der Bundesregierung für Kunst im Laufe der Zeit entwickelt hat, von ihrer Zurückhaltung, zeitgenössische Kunst zu akzeptieren, bis hin zu ihrer möglichen Anerkennung der Bedeutung der Kunst bei der Gestaltung der nationalen Kultur und Identität. Das Buch beginnt mit der Gründung der Federal Art Projects (FAP) im Jahr 1935, deren Ziel es war, die Beschäftigung von Künstlern während der Weltwirtschaftskrise zu sichern. Die FAP stieß jedoch auf den Widerstand konservativer Politiker, die sie als Bedrohung für traditionelle amerikanische Werte sahen. Trotz dieser Widerstände wuchs und blühte das Programm weiter, Künstler wie Jackson Pollock und Mark Rothko wurden für ihre Werke finanziert. Während des Zweiten Weltkriegs wandte sich die Regierung der Kunst zu, um Patriotismus und Einheit unter den Amerikanern zu fördern.
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Amerika Birleşik Devletleri Hükümeti ve Sanat 19431965 Yıldönümü Koleksiyonu. Gary O. Larson'ın "Farkında Olmadan Patron: ABD Hükümeti ve Sanatı" (1943-1965), Amerikan toplumundaki en dönüştürücü dönemlerden birinde ABD hükümeti ile sanat arasındaki ilişkinin kapsamlı bir tarihidir. Bu kitap, federal hükümetin sanata verdiği desteğin, çağdaş sanatı benimseme konusundaki isteksizliğinden, sanatın ulusal kültürü ve kimliği şekillendirmedeki önemini nihai olarak kabul etmesine kadar, zaman içinde nasıl geliştiğine dair nüanslı bir anlayış sunmaktadır. Kitap, 1935'te Büyük Buhran sırasında sanatçılara istihdam sağlamayı amaçlayan Federal Sanat Projeleri'nin (FAP) kurulmasıyla başlıyor. Bununla birlikte, FAP, geleneksel Amerikan değerlerine tehdit olarak gören muhafazakar politikacıların muhalefetiyle karşı karşıya kaldı. Bu direnişe rağmen, program Jackson Pollock ve Mark Rothko gibi sanatçıların çalışmaları için fon almasıyla büyümeye ve gelişmeye devam etti. II. Dünya Savaşı sırasında hükümet, Amerikalılar arasında vatanseverliği ve birliği teşvik etmenin bir aracı olarak sanata döndü.
The United States Government and the Arts 19431965 Anniversary Collection. راعي غاري لارسون: حكومة وفن الولايات المتحدة (1943-1965) هو تاريخ شامل للعلاقة بين حكومة الولايات المتحدة والفن في واحدة من أكثر الفترات تحولاً في المجتمع الأمريكي. يقدم هذا الكتاب فهمًا دقيقًا لكيفية تطور دعم الحكومة الفيدرالية للفنون بمرور الوقت، من إحجامها عن تبني الفن المعاصر إلى اعترافها في نهاية المطاف بأهمية الفن في تشكيل الثقافة والهوية الوطنية. يبدأ الكتاب بإنشاء مشاريع الفن الفيدرالية (FAP) في عام 1935، والتي تهدف إلى توفير فرص عمل للفنانين خلال فترة الكساد الكبير. ومع ذلك، واجهت FAP معارضة من السياسيين المحافظين الذين اعتبروها تهديدًا للقيم الأمريكية التقليدية. على الرغم من هذه المقاومة، استمر البرنامج في النمو والازدهار، حيث تلقى فنانون مثل جاكسون بولوك ومارك روثكو تمويلًا لعملهم. خلال الحرب العالمية الثانية، تحولت الحكومة إلى الفن كوسيلة لتعزيز الوطنية والوحدة بين الأمريكيين.

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